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| Issue #22 / Winter 2009 |
America's Got Talent |
Installment
9 |
| by Carol Taubl |
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| If you missed Installment 1, click here |
| If you missed Installment 2, click here |
| If you missed Installment 3, click here |
| If you missed Installment 4, click here |
| If you missed Installment 5, click here |
| If you missed Installment 6, click here |
| If you missed Installment 7, click here |
| If you missed Installment 8, click here |
Week 2 of our
experience on America's Got Talent live shows was
proving to be a real test. We all knew
something was different this week. The producers
seemed to have lost that happy-go-lucky,warm attitude
and that was replaced with a tangible air of tension.
Labor Day weekend proved long and tedious, with the
anxiety about the next performance coloring everything
we did and every conversation we had. The boys
still enjoyed swimming in the hotel pool every chance
they got, and the girls worked on their tan, but we had
to really fight the temptation to snap at each other and
be short-tempered. To pass the time that weekend, we
took a trip to Santa Monica and walked along the pier.
The southern California coastline is so beautiful, and
different from what we have on the east coast. This was
a welcome respite from the stress. We had dinner
that night in Santa Monica and got back to the hotel
tired, but refreshed.
Tuesday morning dawned
and we were up with the chickens. We had an 8am
call time at the studio and went straight to wardrobe.
Getting dressed first was good for preserving your hair
and makeup, but it made for a really long day of being
rather uncomfortable. It was great seeing all our
friends in hair and makeup again though, and by 10am, we
were looking pretty good. Again, we went on stage
for our dress rehearsal in big curlers, which is rather
humiliating. But you get used to it. We were
all getting extremely nervous by this time, and as we
walked on stage for the final dress rehearsal, the knots
in our stomach were almost paralyzing. |
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The whole process of
putting on a live show is quite an amazing thing.
The entire stage has to change between acts, and the
professionals who do this are remarkable. Our
stage this time involved a platform in the back for
the four boys, with the piano just off to the right
of it. Gretchen and Annabelle would be on the
floor on the other side of the stage, and poor dear
Emily would be elegantly walking down those tricky
circular stairs as she started to sing. All of
this would have to be put in place during the
commercial between the act before us and ours. It is truly miraculous that it all comes together,
but it does!
As we got to the
stage, our platform was up and the boys found their
places. Mics were put in place and we talked
to the set designer about some details. The
arrangement was to begin with the four boys in tight
harmony, so we checked and double checked to be sure
that they could hear their notes in their headphones
to begin. We tried it several times, turning
it up each time, just to be safe. Then we
started the run through. The boys sounded so
good on that opening! It really showed off
their tight harmony and their amazing ability to
blend. Then Gretchen started the pulsing
rhythm on her violin and Emily began to sing.
She looked so elegant as she descended those stairs,
disguising the terror in her heart so
professionally. The run through went well and
we left the stage thinking that we had weathered the
storm and that it was going to be great after all. |
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Then came the
truly agonizing part. Those final hours
that you wait are the longest, and again the
girls resorted to coloring books for therapy,
while the boys enjoyed talking to all their new
found friends. Finally it was time to take
the curlers out of our hair, touch up the
makeup, and head back stage. We were to be
all wired up and ready to go by 4:30, ready for
a 5pm start time (west coast). One
interesting detail that we became very
accustomed to, but as we look back was rather
bizarre, was that as contestants on the show, we
were never allowed to be on set unattended.
There was always an assistant or our producer
with us at all times. They had a very
elaborate headphone set up, that all the staff
wore, and they were in constant communication
about our whereabouts. Looking back, that was a
little creepy. But at the time it was
reassuring. We knew they would have us
where we needed to be, when we needed to be
there.
All of us sat
backstage as the music began that signaled the
start of the show. We were scheduled to be
in the middle of the show, so we had to wait
while 4 acts performed. Each of them got
very good reviews from the judges and we had a
strange suspicion that this was not good news
for us. On the previous show, most of the
acts before us had gotten bad comments, which
made our performance perhaps seem even better
than it was! This time, it just seemed
like the judges needed to say something bad to
someone. And then it was our turn. |
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There
is a 2 minute commercial between acts, which allows the
stage crew to set up, and then there is a 30 second
video clip of our previous performances and judges
comments. We sat in place, in the dark, on stage,
during that clip - not being able to see it - and waited
nervously. I can only imagine how nervous Emily
was during that time. She was waiting all alone on
the stairs, wondering if her shaky legs would carry her
down. Again the stage manager started the
countdown, and the dry ice billowed smoke across the
stage as the lights came up and the crowd went crazy.
Normally, having an enthusiastic crowd is so
electrifying that it gives you new energy and makes
things much better. But on that night, the audience was
so loud that the boys could not hear their cues in the
headsets. I was sitting at the piano, looking up
at them, knowing that I certainly couldn't hear anything
in my headset, and that this could not be good for them.
Thankfully, our music arranger had warned us that this
might be the case, and had actually counted off the
beats instead of just hearing rhythmic taps. Jack
was able to catch a little sound in order to know when
to start, and his absolute pitch saved the day. He
gave the boys their pitches and they started. My
heart was now beating at a very unhealthy rate, but I
was hoping that the bullet had been dodged and the rest
of the performance would be smooth.
Emily started down the
stairs singing, and almost tripped on a mic wire which
she couldn't see because of the dry ice. Another
crisis averted. She and Jack did their duet and
sounded great. I was feeling better at this point.
And helping us all was the enthusiastic audience
response. There were three standing ovations
during that song - good for the soul to be sure - but
that wasn't all the happened during the song. For
those of you who did not watch the episode, things went
down hill quickly. As soon as Emily and Jack
finished their duet, Gretchen joined Emily for the
bridge. For some reason, Gretchen's microphone was
turned up way too loud and the balance was really off.
It was just the thing Piers Morgan had been waiting for,
and almost immediately, he pressed that awful button
that resulted in the horrifyingly loud buzz.
Nightmares were coming true right there on stage, but we
just kept singing. The audience went crazy at the
end, and when Piers made some critical comments, he was
boo-ed mercilessly. Sharon loved us, as she always
did, and tried to make up for the unpleasantness, but
David was also rather critical.
What I
couldn't see was that during this horrible, inhumane
comment segment, Emily was breaking down into tears.
Jerry Springer, who we have all come to adore, saw her
face and tried to comfort her. But she was
devastated. She felt the brunt of their comments
were all directed at her, and she could barely walk off
the stage. There was no consolation. What
had been a dream come true had suddenly become a
nightmare. And then to make it worse, if that was
possible, they took us upstairs for interviews following
the performance. Jack volunteered to go up with me
for this, as the others were just too upset. Jack
showed real courage and character during it all, and was
a constant source of encouragement as we tried to sort
through all of the disappointment.
We
dragged our weary selves to the wardrobe room, took off
our beautiful clothes and transformed ourselves back
into the real Taubls, then walked out to a large group
of fans who so desperately wanted to meet us. Smiles
were painted on, and we heard ourselves saying, 'We did
our best. And it will all be fine. Everything will be fine."
To
read about the results, and to find out if everything
would turn out fine, check back on March 9.
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Gretchen's Heart for Orphans |
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In early December, 2008, the Taubl Family was honored to be a part of the annual tree lighting in Stamford, CT.
On a brutally cold December evening, thousands assembled to see Santa rappel down the side of a skyscraper in downtown, and then made their way down the street to Latham Park to hear some Christmas music by the Taubl Family!
Following the festivities, we were invited to the home of some dear friends for delicious food and warm fellowship. |
After dinner, our hosts shared with us a cause that was dear to their heart. They showed us photographs of an orphanage in Bogotá, Colombia, where they had spent many weeks working with and being blessed by these children. Then we were told the story of the saintly nun and other volunteers who took care of these little ones that had no place to go. Gretchen was touched by the faces and overwhelmed by the need, and expressed interest in going down to Colombia on the next trip.
In early January, Gretchen learned that she was officially invited to make the trip, and thanks to the generosity and vision of our wonderful friends, all her expenses were to be paid. Gretchen will be bringing a shipment of violins to these orphans, and helping to set up a string program for these precious souls. She will be leaving February 7 and returning February 14.
Check out the website of this amazing place and learn more about their mission to rescue these innocent little ones. If you want to learn more about the mission, or if you are wondering what you can do to help,
please contact us at tpianist@aol.com |
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Emily and the Hartford Symphony |
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After winning the prestigious Van Rooy competition last fall, Emily was asked to perform with the Hartford Symphony in January of 2008. Emily was thrilled with the opportunity to work with such a wonderful orchestra.Shortly after that first appearance, Emily received a call from the conductor asking her to appear on a regular season concert in January, 2009. January 8 - 11 marked Emily's return to the Hartford Symphony stage, this time performing Haydn's Cello Concerto in C Major. Four nights of performing can be a daunting experience, but she handled it beautifully and each night brought more excitement and energy. The picture above left was her dress rehearsal on Wednesday, January 7. Above right is Emily with her mom backstage on Thursday evening, opening night, nervous but excited, looking radiant in her lavender taffeta gown. Click here to listen to an excerpt of her performance.
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Here is an excerpt of the review written in the Hartford Courant. "Cellist Emily Taubl joined the orchestra as soloist in the Haydn Concerto in C Major to close the first half of the program. Taubl performed Tchaikovsky's "Pezzo Capriccioso" with the HSO last January. Since then, her family, all nine of them, were finalists on NBC's show "America's Got Talent."
Taubl, a Yale grad now earning a second degree at Hartt, most certainly "got talent." She may project a relaxed and focused exterior, but she has a charismatic musicality. She plays with extraordinary accuracy and lightness. Her passage work in the third movement, taken at breakneck tempo, was breathtaking. In a work with a maze of different themes and passages, she led us through with clarity, logic and conviction. Taubl is going places." |
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School events for the boys! |
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This has been a very tricky first semester for the boys. Due to America's Got Talent appearances, they had to miss several weeks at the beginning of the year, and spent the rest of the marking period catching up. One highlight of that first semester was Jack's performance in the Christian Heritage School production of Shakespeare's "A Midsummer Night's Dream." Jack played the part of Oberon, king of the fairies, and was quite convincing. We didn't' know we had a Shakespearean actor in our midst, but the experience gave Jack a lot to think about in terms of pursuing acting perhaps in college. |
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And coming up in March, look for the all four of the boys in the Christian Heritage School spring production of 'Peter Pan.' Jack landed the role of Captain Hook and early reports are that he is quite a convincing pirate. The other boys are Indians and chiefs - not much acting involved there! For those of you who have never experienced a Christian Heritage School spring musical, it is quite the event. Plan now to come and bring the family
The dates are March 19-21, 2009 at Christian Heritage School in Trumbull, CT. We hope to see you there! |
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YouTube |
One of the real perks of participating in America's Got Talent is the national exposure that we received. The estimated audience for each of the live shows that we performed on was around 15 million people. We have heard from so many of you, and that has been an amazing thing. We also have our performances posted on YouTube, so you can share them with your friends, or just go watch them once more yourself. So many of you have shared that the music is able to bring a smile to your face, even when you are feeling down. That is a wonderful thing. So check out the videos, and let us hear from you soon!
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| New York Audition - Sound of Music |
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| "Umbrella" Performance |
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"When You Believe" Performance |
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